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‘They had begun using ice-cream trucks to store bodies, bodies of children’
By Bharat Shekhar

TO RETURN, ITEMS MUST BE IN THEIR ORIGINAL PACKING
Having run out of space in morgues,
they had begun using ice-cream trucks
to store bodies,
bodies of children
their unidentified, unidentifiable,
mangled remains
that just a few precious days before
had been the laughter of running feet
lining up to the vans to get their favourite flavour.
But it seems that there were
not enough sweet teeth among the kids,
or just too many deaths among them
in too few days
for the morgues and ice-cream truck
to accommodate between them.
And wrapped in white sheets,
(tinged red on the parts
where life leaked out its last gurgle),
their bodies now line the corridors
of hospitals
as they await burial, or another blast.

II
And still, yet anything but still
the wrath of Israel
wrapped in bombs
rains on and on-
each screaming explosion
with its howling echo,
“Hit hate with hate with hate with hate…”
to bury under rubble, rebels
with crushed skull of babies,
and collaterally, permanently damaged
retinas of old women
praying to a god
they can no longer see,
and who cannot hear them
above the staccato stammer
of sirens and rockets.
So He God sighs,
“Oh, kill them all.
Let me sort them out in Jannat.”
Then, as a post script,
he paraphrases
the motto of the famous retail shopping company,
“But remember,
to return them,
items
must be in their original packing.”
And that, they cannot be,
for how do you gather together
limbs scattered through the rubble
back to their original packing?
How do you put back brain fluid
that has already leaked out
into the dust?

III
So they remain,
suspended
between
half-life limbo, and limbless death,
while ‘wise men’ in sharp suits
debate heatedly over
resolutions
on the amount of ‘humanitarian’ aid,
and pauses between pulverizing
the besieged.
again and again and again
in the name of a revengeful justice-
not that of Hamurabi
that spoke merely for an ‘eye for an eye’

NO.
They already have taken
three eyes for each ones they lost,
and they want more
and more
and yet more.
So parents
now write the names of their children
on their hands and legs,
or make them wear bracelets,
not as talismans,
but so that they can recognize
and bury them with dignity
in case their bodies
are no longer in their original packing.

DISSOLVING THAT SANITY
Our madmen
no longer tilt at windmills.
No. They are the mills
with burning wings
of imprisoned butterflies
turning round and round
to make the winds catch fire.
Our madmen
can crack open continents
like eggs,
and imprison their own countries
by tying down borders barbed with hate.
They can drive a stake
through their own hearts
to exorcise from them
the impure blood of the other,
turn their eyes into searchlights
and surveillance cameras,
so that they can hunt down the ‘unfaithful’.
Ah, these madmen
can cast aside their own leg
because it wants to walk
in another direction.
They preside over
a mad melee of fingers
of hands at war with each other.
Dipping deep
into the well of hatred,
they turn the ‘Persian’ wheel
over and over again,
to irrigate the land with blood,
even as the earth cracks open
its intestines with hunger and famine,
even as greed grabs
everything else
that’s worth grabbing,
even as jackboots
perform the usual routine
that jackboots do
to stomp over rebellion
of hungry bellies.

II
But look, LOOK
the flower of love
crosses the boundaries of hate,
and the ass
carrying the bathtub of the madmen
is beginning to arch its back
as its belly feels the burn of hunger.
Soon it will tilt
them back into the dark abyss
from whence they emerged.
IV
That is the hope,
the true hope.
For it tells us
that our madmen are not mad.
If they were,
they would be far more sane.
No. Their utter insanity
lies in their unshakable faith
that they alone are sane.
And once we can shake that,
this sanity of the insane,
this insanity of the sane
shall indeed end.

The two poems above are a tribute to the living and dead of the Gaza Genocide. Especially, the children. And to hail the Oscar/Academy Award for the best international documentary film given to ‘No Other Land’. The film has been made in extremely adverse and difficult circumstances, by a joint ‘solidarity’ film crew of Palestinian and Israeli filmmakers.

The film documents the brute violence, and demolitions of Palestinian homes, by Israeli settlers, backed by their army, in occupied West Bank. The film has won several awards, including at the Berlin Film Festival and the New York Film Critics Circle Awards. Palestinian Basil Adra made the film with Israeli journalist Yuval Abraham, along with Palestinian filmmaker Hamdan Ballal and Israeli filmmaker Rachel Szor.
Bharat Shekhar is a poet and writer based in Delhi. He has written two acclaimed books for children (and adults), Crocodile Teeth (Zen) and Talking Tales (Tulika). He has also authored: DK Indian Idols: Mohandas K Gandhi (Doris Kinderslay).
Bharat, this is so good since it is so unsettling. Leaves me hopelessly numb.